The thing that got me into The Sweet wasn't anything to do with the way they dressed. It was simply their music. I remember them doing well in the charts with stuff like CoCo and Poppa Joe, but they didn't really float my boat, and I'm still not too keen on Little Willy, but I do remember liking Wig Wam Bam, but it was just another pop song that was good.
The turning point was Blockbuster. I was bored sometime over the Christmas period 1972/73 and was flicking through the channels. Hahahaha, I say flicking through them, there was only either two are three to choose from, depending on whether we had BBC2 at the time, and I was watching a special edition of Magpie, which to us was always ITV's poor mans version of Blue Peter. Anyway, I remember them introducing The Sweet to sing their new single which was Blockbuster. I was enthralled, and to me it was just what pop music needed to be like. Loud and brash and sirens, the works.
After that, The Sweet were in free flow with great song following great song. Hell Raiser came out and blew us all away again, then Ballroom Blitz, and then Teenage Rampage. I was in heaven. Then the album Sweet Fanny Adams was released and I realised they could write their own stuff as well and were more than just puppets for Nicky Chinn and Mike Chapman. Yeah their B sides were always written by themselves, but those songs would never have held themselves up like the A sides did, but Sweet Fanny Adams changed all that with songs like Set Me Free and Rebel Rouser that they penned themselves.
Life isn't a dress rehearsal.